Predominantly painting portraits of women artists and writers from the last century, Janet’s practice is driven by curiosity about the lives of others. She is fascinated by degrees of separation and, through her research, relishes uncovering fascinating links and connections between her subjects.
In a playful critique of the consumption and disposal of construction materials, Adam Garratt has repurposed a series of prints on pre-used worksite plastic, which are folded into triangles and brought together here to represent a kind of artist’s rubble.
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