Tag Archive: Theatre

  1. Introducing our Autumn Performance Programme 2026

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    It's hard to imagine cooler days in this heatwave, but - rest assured - this autumn promises kinder temperatures and high-quality live performance.

    We have a wonderful mixture of cutting-edge work on offer: From mystical stories and folk music laced theatre, to fantastical dark comedy and performance peppered with live magic, martial-arts fused contemporary dance, and surreal, dream-logic inspired storytelling.

    We're very excited to welcome back a number of artists to Exeter, including Liz Richardson with LOCAL, her new play about belonging (following 2022's sell-out show SWIM), YESYESNONO with their highly relevant dark fable Nation (following 2023's impactful performance of we were promised honey!) and the incredible Beyond Face returning with the We are Here to Share Scratch Night, which showcases exciting new early-stage work from global majority artists based in the South West.

    Appropriately kicking off the autumn season is Barleycorn, performed by a troupe of actor-musicians known as Riddlestick Theatre. Set in a fictional South West village, this musical comedy is inspired by English folk customs and songs, folk horror and TV. It is a celebration of community and cultural heritage and a playful ode to the good old British pub!

    Barleycorn

    Barleycorn

    Also paying homage to folk music is Batty! by Victoria Firth - an alternative coming of age story about a woman who thinks she might be turning into a witch. The show contemplates this archetypal female character by using it as a metaphor for wildness, power, recognition, and our connection with nature. It's an empowering piece for anyone experiencing or contemplating elderhood, or anybody who has ever been made to feel like a weirdo!

    Dance theatre has proved hugely popular with recent audiences, and we continue to platform some of the most talented choreographers and dancers currently on the scene.

    Vanhulle Dance Theatre present Orbital, an electrifying dance duet where two performers battle tension, chemistry, and gravity in a mesmerising journey where explosive partner work, breathtaking acrobatic flips, and martial arts-inspired moves collide.

    Orbital

    Orbital (image by Jack Thomson)

    Choreographer Imogen Reeve returns with Mother Computer (following 2023's Discopia), a bold and visually captivating dance performance where ancient folklore collides with imagined futures. Three performers push their bodies to the limit before embarking on a journey of transformation, creating a physical world that reflects the contradictions of contemporary life; ultimately blurring the boundaries between human and machine, nature and technology, past and future. Plus, a new production from one of our resident companies: Swift Dance Company present THREADS, a rich tapestry of contemporary dance performance, voice, film, sound and intergenerational stories inspired by the history of local textile heritage site Coldharbour Mill, one of Devon's most iconic industrial landmarks.

    You will find a few nods to spooky season throughout the autumn performance programme, from Barleycorn and Batty! to Lovett, Forget About Me, Period Drama and the annual Spork! Poetry Halloween Special. Lovett is an instantly recognisable figure from horror literature in regard to Sweeney Todd, and BoonDog Theatre's fresh feminist take on this iconic, world-renowned character, gives her a spotlight of her own, away from the man that accompanied her ultimate journey to infamy. This masterclass in storytelling is a perfect blend of history play, psychological thriller and dark comedy.

    Lovett

    Lovett

    Twisted tale Forget About Me is part magic show, part ghost story,. This isn't your typical conjuring act: mind-bending mentalism and spine-tingling effects blur the line between reality and fiction. The show will be presented as part of a double-bill (from the creators of 2024's It's the Economy, Stupid!) alongside Copycat, which contemplates the implications of AI by examining the links between art, fascism and rapid technological change. How about a final girl on rollerskates? We're sure you weren't expecting that, but that you will find in multidisciplinary performance artist Olga Kaleta's Period Drama (with integrated BSL by Sherrie Eugene-Hart); a surreal, episodic dark comedy that mixes autobiographical storytelling with circus, drawing upon personal experiences of chronic anxiety and taking a deep dive into the question of wellness through a feminist lens, via slasher flicks.

    And, as always, we have some live family entertainment lined up for the October half-term holiday. Following a critically acclaimed Edinburgh Fringe run, the award-winning The Truth About Trees seamlessly blends actors, bunraku puppetry and shadow play, presenting environmental themes with warmth, humour, and theatrical magic.

    The Truth About Trees

    The Truth About Trees

    All tickets are offered on a Pay What You Can basis. You can find out more about our Pay What You Can ticket scheme here or explore our full Autumn Performance Programme here.

  2. Theatre In The Park 2023

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    Theatre in the Park is back for 2023! Welcome to another sizzling season of outdoor theatre and performance. This year we'll be heading to both Rougemont and Northernhay Gardens.

    Join us for an epic seaside tale gig-theatre show, Shakespeare aplenty, a Spork! Summer Special and an interactive promenade with dance, movement and a giant puppet.

    Make the most of being outdoors this summer and head to the Gardens for some al fresco fun!

    SUN & MOON THEATRE

    ROMEO & JULIET

    THU 27 - SAT 29 JUL

    Sun & Moon Theatre are delighted to be returning to Rougemont Gardens with a vibrant open-air production of Shakespeare’s most popular drama of star-crossed lovers and warring families.

    JACK DEAN & COMPANY

    HERO & LEANDER, OR, I LOVE YOU, BUT EVERYTHING'S UNDER WATER

    THU 10 AUG

    Sing, dance and cry with us in this bittersweet outdoor gig theatre show. Six multi-instrumentalists tell an epic seaside tale through songs encompassing folk, indie, sea shanties and choral music.

    Spork!

    SUMMER SPECIAL

    FRI 11 AUG

    Whack the factor 50 on and join Spork! for a glorious Summer Special in Northernhay Gardens for a sun-drenched hour of sumptuous spoken-word, poetry, comedy & live music.

    AUTIN DANCE THEATRE

    OUT OF THE DEEP BLUE

    SAT 12 AUG

    Autin Dance Theatre’s sensational outdoor show is an interactive promenade and a physical theatre duet which transports its audiences into another world, to tell a story about our own.

  3. Introducing our Autumn Performance Programme for 2022!

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    Welcome to a brand new season of Theatre & Performance at Exeter Phoenix!

    Our autumn programme of Theatre is full to the brim with cutting-edge dance, poetry and family fun from award-winning directors, writers and theatre companies. There really is something for everyone in our theatre programme and we can’t wait for you to come and join us for another season at Exeter Phoenix.

    There’ll be metamorphic soundscapes, explorations of the knife-edge of hoarding witchcraft that’s helping to dismantle the patriarchy and even dancing dinosaurs fuelled by rock’n’roll.

    We’ve got scratch nights and work-in progress performances to come too, a chance for you to test your ideas and help to shape the future of theatre in Exeter!

    Keep reading to discover what’s on in our Autumn performance programme.


    THE LESSON | TUE 27 SEP

    Icarus’ blistering, magical and award-winning production of Eugene Ionesco’s classic dark comedy returns to the stage.

    SAME ROOM SAME TIME | THU 29 SEP

    A new collaboration between Jane Mason and Grace Surman who have made work for 25 years in contemporary performance, but have only just met.

    BREATHLESS | SUN 2 OCT

    Breathless is a funny, honest and stylish exploration of the knife-edge of hoarding, from the joy to the addiction and suffocating shame.


    WHITE SUN | TUE 4 OCT

    Set against a backdrop of a nation that continues to bask in the light of its colonial legacy, hooked on profits despite the costs, White Sun collides with the past in the here and now of a human nervous system.

    TEATER DICTAT | FRI 7 OCT

    Johan Svensson and Magdi Saleh, theatre practitioners from Sweden, map their own queer histories as they talk about Teater Dictat, working in the Swedish theatre industry, retelling the British canon abroad and exporting the Swedish canon internationally. 


    FANBOY | SAT 8 OCT

    Fanboy is a love-hate letter to pop culture and nostalgia

    GROWTH OF THE SILK | SAT 15 OCT

    Growth of the Silk is an operatic fairy-tale of a woman, her crushing pressure to fit into the world’s social structure and her wish to escape them.

    WITCH HUNT | MON 17 OCT

    Growth of the Silk is an operatic fairy-tale of a woman, her crushing pressure to fit into the world’s social structure and her wish to escape them.


    DINOSAURS AND ALL THAT RUBBISH | MON 24 OCT

    One small step for man, one giant pile of rubbish left behind! Man’s dream to reach the stars leaves the world in ruins and disturbs the sleeping dinosaurs. Will they wake up and save planet Earth?

    DROWNTOWN | TUE 8 NOV

     Gritty dance theatre, with autobiographical testimonials and text, this timely performance gives voice to the vulnerable and unheard. With tenderness and honesty, DROWNTOWN holds up a mirror to a society at tipping point.

    DAYTIME DEEWANE | THU 1 DEC

    Daytime Deewane, by Azan Ahmed, is the latest production from Half Moon, the UK’s leading small-scale young people’s venue and touring company, winner of two Off West End Theatre awards for Best Production for Young People Age 13+ (Crowded and What Once Was Ours).

  4. Behind the Scenes: the making of Constellations

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    On Sun 29 May, interdisciplinary performance maker and practice-based researcher Sian Goldby brings Constellations to Exeter Phoenix, an intimate performance exploring landscapes of memory and humanity’s relationship with the earth. Through a re-imagining of the performance space in miniature, it investigates themes of nostalgia and memory in relation to the multiple scales of environmental crisis.

    In this blog piece, Sian talks about the making of Constellations and how her personal experiences and memories have formed the foundations for the performance.

    "Constellations is designed to bring about the sensation that history is repeating itself. The work is a constant manipulation, extraction and destruction of world, earth and planet, and asks – how do we construct our worlds?" - Sian Goldby, Writer

    When I was a child, I used to go with my parents on trips to Bekonscot Model Village every year. It was my absolute favourite place to go. I remember having an overwhelming urge to get into the tiny scenes; not just to climb inside and touch the tiny houses and trains and market stalls with my hands, but to somehow embody how it felt to live in these tiny spaces. I wanted to be immersed in this world, not just stand by at a distance all giant and ungainly in my wrongscale body. I wanted to shrink myself down, get closer to it all.

    Constellations is a performance which aims to capture this curious visceral sensation by inviting audiences to immerse themselves into a micro-world of the performance and experience a different sensation of scale. The piece taps into childhood nostalgia and explores the concept of memory as a kind of ever-shifting landscape, and remembering as a form of drawing and re-drawing of mental maps.

    I made the work in 2019, the year that I turned 30. My birthday is at the end of August and I had planned a celebration in a pub in my hometown of Bristol with the hope that we might be able to use the lovely suntrap of a roof terrace. This was before I remembered that it always rained on my birthday now, and has done since I turned 18.

    I remember every birthday until the day I turned 18 being in beautiful sunshine; picnics, garden parties, outdoor swimming, were always on the list of activities for birthday parties during my childhood without the need to be too optimistic about the weather. A hot, sunny, summer birthday was a good payoff for being the youngest out of my peers and being teased about having to ‘wait’ to be ‘finally’ the next age.

    How could it be that the UK seasons have changed so much within such a short time-frame? How can it be that just 30 years out of billions is all it has taken to shift the weather? Was it really sunny on every birthday or did I just imagine it?

    As I reached this milestone, I began to reflect on other changes to the climate that I have noticed within my short time on this earth. I also found out that 30 years is the time period which is used as a reference point by the World Meteorological Organisation to calculate climate normals, and therefore fluctuations. I started to build the piece using my stories and memories, and I wanted to invite audiences to reflect on their own timescales too.

    Constellations is designed to bring about the sensation that history is repeating itself. The work is a constant manipulation, extraction and destruction of world, earth and planet, and asks – how do we construct our worlds?

    CONSTELLATIONS comes to Exeter Phoenix on Sun 29 May. The performance is designed for small audiences of up to 6 people. For tickets and timings, tap here >>