Author Archives: Scout Winser

  1. Reflecting on The Gifts Commission

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    The Gifts is a socially-engaged, multisensory sculpture made for and with learning-disabled and neurodiverse communities of Exeter to form a lasting community legacy. It was made by sculptor Tabatha Andrews and co-created through the artist’s long-running relationship with Freefall+, a group of young adults with a range of learning disabilities who meet weekly at Exeter Phoenix to engage with the arts in an inclusive space.

    It was commissioned by Exeter Phoenix as part of Tabatha’s wider, 2025 Arts Council funded project, The Slightest Gesture, a sculpture, dance and film project. The work now resides at EP Sidwell St (an Exeter Phoenix off-site project space) under the care of Pelican Projects, a collective of adult learning-disabled members, families, teachers and partner organisations offering regular groups, projects and social activities that reduce isolation and raise quality of life.

    The work is available for learning-disabled and neurodiverse communities of Exeter to access, use and enjoy as a lasting legacy of the project.

    The Gifts 1

    About Tabatha Andrews

    Tabatha Andrews is a sculptor and installation artist who works across diverse media. Her work explores the relationships between memory, materials and the observer. Creating experiences that question how we communicate through the senses, her works are immersive, tactile, and invite mental and physical interaction. Her projects are often socially engaged and collaborative, building relationships with a wide variety of diverse communities and contexts. Tabatha also works with arts in health and the sciences, exploring connections between craft, play, memory loss, sensory perception and language acquisition. She has worked with cathedrals, hospitals, composers, scientists, communities with diverse needs, singers and local craft groups.

    The Slightest Gesture is a socially-engaged sculpture, dance and film project by Tabatha Andrews, made with learning-disabled and neurodiverse communities of Exeter. Tabatha is running the project in collaboration with Exeter Phoenix, Pelican Projects and Southwest Dance Hub with workshop support from West Dean College of Arts. The commission has enabled the artist to pursue new ways of working, exploring deep experiential questions about how sculpture can be encountered and what these experiences may mean to different people

    About Freefall+

    Freefall+ supports young people who have a physical and learning disabilities, are no longer in education, and have complex support needs. The group offers an inclusive space to come together to explore the arts, to create and to access the networks of support that Exeter Phoenix facilitates through its role as a creative hub in the city. The group’s dynamic offer is delivered in partnership with The Pelican Project CIC and is constantly evolving to support a diverse spectrum of need and ambition, from workshops that explore the tactility of materials to individually tailored sessions that support those who have their own emerging creative practices. Freefall+ is entirely funded through generous gifts and donations from our visitors and supporters.

    About South West Dance Hub

    South West Dance Hub is an inspirational space for professional dance artists and choreographers to share, learn, grow, support and be supported through facilitated sessions that include contemporary techniques, improvisation and choreographic exercises. Their mission is to nurture talent, foster collaboration, and push the boundaries of dance innovation. They aim to elevate local talent and create vibrant performances that resonate with communities.

    The Gifts 3

    Project Feedback and Reflections

    How can sculpture be a participatory act and inspire communication, curiosity and joy?

    This commission aims to consolidate some of the work Exeter Phoenix has been doing around reverse inclusion to explore a more universal attitude to audience/user experiences of art, rather than retrospectively addressing accessibility for particular communities.

    “The Pelican Project have created an amazingly supportive environment for this work, enabling the activities in the workshops to build resilience and choice in the artists’ creativity and daily lives.” - Tabatha Andrews

    How can sculpture operate differently for artists with complex needs?

    The Gifts were launched with a sharing event at Exeter Phoenix, where friends, family, and participants in the project were invited to take a first look at the completed commission and engage with it. The work was then moved to Positive Light Projects where it is now housed, and members of the Pelican Project Sense Art group have been using it in their sessions.

    “For us the real value of The Gifts lies in how it positions our members not as recipients of inclusion, but as leaders within their creative community. Through sustained collaboration with Tabatha Andrews, and access to quality materials, processes and professional artistic relationships, our members gained meaningful experience and agency, and in return, they taught the artist and audiences about the nature of their multisensory interpretation, non-verbal communication, and embodied ways of knowing. Since the work’s arrival at Positive Light Projects, it has been striking to see its resonance with people from so-called ‘mainstream’ backgrounds, reminding us that sensory curiosity is something we all hold, but often forget. At The Pelican Project, we value this work for resisting fixed blueprints of inclusion: The Gifts quite literally holds the physical impressions of our members at its centre. A huge thank you to Exeter Phoenix, Tabatha Andrews and South West Dance Hub for making this collaboration possible, and to our members for shaping an experience that has been generous, transformative, and deeply instructive for us all.” - Charlie Robinson, The Pelican Project

    “Thank you for making sure my boy is not forgotten. Through The Gifts, his ways of experiencing and expressing the world have been given space, value and permanence, and it means everything to see him recognised as part of Exeter’s creative life.” - D, Liam’s Mum

    The Gifts 4

    Contents

    Creating immersive experiences that both unsettle and enthral the senses, The Gifts explore how we communicate and create meaning through objects and materials. The series of objects explore material, formal, sonic and haptic sculptural qualities, and can be interacted with in a range of ways.

    They celebrate everyday gestures, however small, and find ways these gestures can become sculptural form through materials; gestures of routine, of care, repetition, joy or exhaustion. The objects can act as a score, inspiring a new movement or choreography– they can create a sort of internal ‘bodily imaginary’ through senses other than sight, bypassing verbal language.

    Housed within an overall ‘mother’ structure that forms the complete work, objects can be accessed through a range of drawers, hooks and portholes, the structure itself housing elements that create sound, can be peered through, and interacted with.

    The Gifts 2

    Access and use

    The work is available for learning-disabled and neurodiverse communities of Exeter to access, use and enjoy as a lasting legacy of the project.

    If you are a community group and are interested in experiencing The Gifts, please get in touch by emailing George Barron at george@positivelightprojects.com or Charlie Robinson at charlie@pelicanproject.org.uk to arrange a time to visit.

    The Gifts 5

    Images by Dom Moore

  2. Exeter Contemporary Open 2026: call for entries

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    Submissions are now open for Exeter Contemporary Open 2026: an annual open submission exhibition, established in 2006 and hosted by Exeter Phoenix. The exhibition aims to provide an important national platform for contemporary visual art with an emphasis on supporting emerging talent alongside more established artists.

    The exhibition will run from 11 September – 31 October 2026 and is open to contemporary visual artists working in any media including painting, sculpture, photography, print, drawing, video, mixed and digital media. It will be staged across Exeter Phoenix’s two beautiful gallery spaces located either side of the main entrance foyer.

    The deadline to apply is 11.59pm, Sun 07 Jun 2026.

    Artists may submit between 1 - 3 recent works that reflect their current practice. The selection panel will be looking out for the extraordinary, intriguing, unusual, thought provoking, challenging or downright beautiful and particularly seek work that reflects current directions, themes and concerns in contemporary practice. There is a non-refundable entry fee of £10 covers submission of up to 3 separate artworks.

    Find out more and apply >

    Last year's exhibition brought together 14 artists working across a diverse range of artistic practice, from painting and sculpture, to film, photography and textiles. You can read more about the featured artists, including the award winners, on our blog here.

    ECO 2025 Install Shot

    Exeter Contemporary Open 2025 (Image by Dom Moore). Artists featured (left to right): Sophie Wake, Giles Round, Helen Acklam, Kenji Lim.

  3. Announcing our 2026 Summer Performance Programme

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    Summer is just around the corner, and with it awaits an assortment of wondrous live performance and entertainment in our Summer Performance Programme!

    Fresh perspectives take centre stage as we platform stories and voices that have previously been overlooked in mainstream media. Developed with Complicité, Nine Sixteenths revisits controversial moments in early noughties music history, that were whitewashed over, sharing them from the perspective of those who were profoundly affected and marginalised, whether that be Janet Jackson, other black female artists, and black women in general. Both deeply poignant and highly entertaining, the show elevates the voices of black women in the arts and beyond through a skillful blend of devised theatre, dance, lip sync, and integrated BSL. This performance will be presented on Tue 05 May as part of the Diverse Artists Network's DIASPORA! Festival, which celebrates cultural diversity, community and creativity across Bristol and the South West region during the first 10 days of May.

    Nine Sixteenths

    Nine Sixteenths (Christa Holka)

    Doohickie Productions and Exeter Phoenix are thrilled to launch the inaugural Open Door Festival. This new festival has been created to provide opportunities for emerging and returning artists. From selecting performances out of a hat, to guaranteed payments for all artists involved (regardless of ticket sales), this festival is doing things differently. Join us at Exeter Phoenix on Sun 17 May for workshops about theatre making, dance and theatre performances from emerging artists and a long table discussion with local creatives. This will be an event to remember!

    Marie Hamilton brings us babes-in-arms friendly performances of her Edinburgh Fringe hit, Madonna on the Rocks on Tue 19 May as part of Matrescence Festival. Sitting somewhere between a musical and cabaret, the show draws upon Marie's own lived experience by tackling the darkness and complexity of new motherhood with raw honesty, humour and heart. A special daytime performance with a post-show Q&A will be hosted by Lizzy Humber (Matrescence Festival & Daylight Sessions), with space to spread out during the show, as well as mats, cushions and an offering of toys at the front of the auditorium for little ones accompanying their entertainment-hungry adults. Marie will also be leading a Making Art After Making Life workshop for new(ish) parents looking to reignite their creative fire as part of the Open Door Festival programme on Mon 18 May.

    Madonna On The Rocks

    Madonna On The Rocks (Mihaela Bodlovic)

    Family-friendly circus arts can be found in the form of feel-good shows Rabbits Out of the Hat and Balance. Set during a pivotal moment in the Suffragettes movement, the hilarious and heartwarming Rabbits Out of the Hat is a Vaudevillian comedy magic show for people of all ages, featuring showstopper songs, incredible contortion and dance. In Balance, Jared and Toffy find a physical language of trust using the inventory of a pub cellar. Merging acrobatics, theatre, dance, and a jaw-dropping walk across glass bottles, Brainfools strips the circus back to its essentials: weight, friction, and the quiet negotiation between two people, with plenty of wow factor. It’s a show for anyone who has ever felt a wary standoff turn into a friendship, or anyone who has had to find their centre in a world that keeps tipping over.

    On Fri 05 Jun, we are partnering with Exeter Comedy Festival to present DYKE Systems  by Fag Packet, who were selected as part of The Stage Fringe Five, theatre makers who made the biggest impact at Edinburgh Fringe 2025.

    DYKE Systems

    DYKE Systems

    Headlining our 3rd annual Green Phoenix Festival is Dr Matt Winning, a stand-up comedian and acclaimed climate scientist. The set will start with highlights from his previous show based on his best selling book Hot Mess (what on earth can we do about climate change), followed by a performance of his Edinburgh Fringe hit Solastalgia.

    Theatre in the Park is back! The wonderful Sun & Moon Theatre return with one of Shakespeare's most beloved comedy plays Twelfth Night (or What You Will) following their sell-out run of A Midsummer Night's Dream last year. Spork! Summer Special brings us another line-up of the best wordsmiths in the form of sumptuous spoken-word, poetry, silliness, and songs. Finally, young people and their families will get the chance to rummage through the rubble with BIN RAT!!! to discover where all the junk goes! Find out what literally happens to litter in this outdoor interactive puppetry show.

    Twelfth Night (or What You Will)

    Twelfth Night (or What You Will)

    All this and SO MUCH MORE coming to Exeter Phoenix this summer!

    All tickets are offered on a Pay What You Can basis, which includes our Theatre in the Park programme for the very first time! You can find out more about our Pay What You Can ticket scheme here, or explore our Summer Performance Programme here.

  4. Mountview announce a new Acting CertHE at Exeter Phoenix from September 2026 

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    Following a fantastic response to their Musical Theatre CertHE, Mountview are today announcing the addition of an Acting CertHE from September 2026! Building on the success of their original Peckham-based CertHE Acting course, this expansion marks a new chapter in Mountview’s mission to provide accessible, top-tier actor training across the UK.

    Mountview Principal & CEO Sally Ann Gritton said:

    "We couldn’t be more delighted to broaden our partnership with Exeter Phoenix. Our staff and students on the existing Musical Theatre CertHE course have been welcomed with open arms into the Exeter creative community and we are thrilled to expand our offering with an Acting CertHE from September 2026.”

    The CertHE provides students with an artistically safe and supportive environment where they can develop their creative instincts and prepare for careers in the performing arts. Suitable for students from a wide range of backgrounds, this vocational course challenges performers to develop their own personal skill strengths, cultivate independent growth, expand their artistic vocabulary and grow as a creative artist. It can serve either as preparation for an undergraduate degree at Mountview or elsewhere, or as a standalone programme prior to launching a career in the performing arts or beyond.

    Application deadline for September entry is 17 July 2026. Find out more and apply >

    Image Credit: Steve Gregson

  5. Reflecting on mapdance 2026 with Exeter College Dance Academy

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    mapdance (Bike Bignell)

    An annual highlight in our dance calendar: mapdance is an established company of young, dynamic dancers recruited nationally and internationally. Every year they tour ensemble performances of three newly commissioned works and one restaged dance piece. During each visit, the University of Chichester’s MA touring company spends two days working with Exeter College Dance Academy students to co-create a 'curtain raiser' performance.

    mapdance is directed by Jerwood Award Winner, Yael Flexer (Flexer & Sandiland - who brought Imagining Otherwise to Exeter Phoenix in 2024), and rehearsal director, Luke Brown. The company adopts a broad approach to dance making and performance by working with established artists as well as up-and-coming choreographers; allowing the dancers to explore a variety of choreographic methodologies and artistic approaches, while developing both their technical and performance skills. Our current associate artist Sam Gilroy is also a mapdance alumni.

    Exeter College Dance Lecturer, Emma Wyke, told us:

    "Exeter College Dance Academy were delighted to collaborate with the mapdance company once again this year, following last year’s successful partnership during their South West tour and performance at Exeter Phoenix. This year’s cohort of young dancers gained a great deal from the workshop and performance opportunity, learning directly from the recent dance graduates at the beginning of their professional careers. A particular highlight was the chance to engage practically with the company’s current repertory, while being encouraged to explore, experiment, and create within a supportive and stimulating environment. Watching the Dance Academy grow in confidence and perform the curtain raiser for mapdance was a genuine thrill and a source of inspiration for the students. As always, the company’s Artistic Director, Yael Flexer, was incredibly encouraging, and we look forward to continuing this exciting residency opportunity next year."

    The College students will have the opportunity to take part in another workshop later this month led by Jasmin Vardimon Company - a leading force in British dance theatre for over twenty five years - who you can read more about in our recent blog post here. Similar to mapdance, they lead the JV2 Professional Development training programme and commission emerging choreographers to create new works for the young dancers to perform as part of JV2: Triple Bill, which will be coming to Exeter Phoenix on Tue 31 Mar. Our resident dance company Chhaya Youth will also get the chance to share a new piece they have been working on during the event.

    JV2 (Bill Knight)

    JV2 (Bill Knight)

    Our Performance Programmer, Katy Danbury, adds:

    "It has been so wonderful being able to connect Exeter's young talent with internationally renowned choreographers like Yael Flexer and Jasmin Vardimon, and providing a platform for them to not only perform on our main stage but to share it with some of the best contemporary dance graduates. As a creative who grew up in the South West, I understand how valuable these kinds of opportunities are for young people who are looking towards their future. Meeting the people behind what can often feel like an intimidating or unreachable industry, and getting to work alongside them, is such an inspiring experience. It makes the routes into that world feel that bit more tangible."

    At Exeter Phoenix we nurture a thriving arts scene through our Creative Hub, supporting artists, musicians, theatre companies, filmmakers and creatives at every stage of their career and practice. It is a vital part of our mission that we elevate the next generation of creative talent and, thanks to support from Devon County Council’s Places to Go, Things to Do fund, we are pleased to present the IRL: Dance Showcase on Tue 24 Mar, which will share new work by Chhaya Youth, Exeter College Dance Academy and the Swindon Dance: Exeter Contemporary Programme CAT students. This is part of a new creative programme designed exclusively for under 25s who want to explore culture with hands-on, multi-arts workshops, interactive sessions, screenings and live performance events. IRL is curated to bring fresh ideas and spark creativity in a supportive, inspiring environment.

    IRL Landscape
  6. Sam Forster: How ‘Drunk Folk Stories’ Influenced My Career

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    This year, Exeter Phoenix is supporting Go All In, a National Year of Reading 2026 campaign to help more people discover the joy of reading.

    Our Events & Facilities Officer, Sam Forster, is a keen reader and has played a big part in our involvement with the national campaign. In this blog, Sam tells us why he attributes his career in the arts to a book that he read while at university. The author of the book, Drunk Folk Stories, is folk hero Beans on Toast who will perform live with his full band here at Exeter Phoenix on Wed 18 Mar.

    Sam will soon be leaving Exeter Phoenix to continue his career in events with an exciting new opportunity at Torbay Council. Exeter Phoenix is proud of the significant contribution Sam has made during his time working here, and we can't wait to see where his career takes him.

    I’m Sam, the Events & Facilities Officer at Exeter Phoenix. I manage our busy calendar of external hires and bookings, supporting on event logistics and delivery. This sees me working with organisations like University of Exeter to plan conferences, or supporting local community groups to deliver workshops. It’s an incredibly varied role thats allows me to show off Exeter Phoenix’s offer to a huge range of customers.

    I have worked in events for several years now, since studying Event Management at BIMM University in Brighton. Here I was able to get involved in local festivals like The Great Escape and Mutations, as well as head up a team of grassroots promoters. I started out by playing in punk bands, and originally went to Brighton to study songwriting. However, after a (somewhat) life-changing read of Beans on Toast’s Drunk Folk Stories, a whirlwind collection of hedonistic yet thoughtful short stories, I changed career paths.

    Beans on Toast is a prolific tourer, with his previous shows stretching the breadth of the UK and beyond. Years ago, I was able to catch him in Torquay, at the Apple & Parrot, after avoiding the 9pm kick out for under 18s, which as a teenager, felt very apt while listening to his songs about sneaking into Glastonbury. It was a fantastic and intimate night of singalongs, jokes and tales from his youth.

    Beans on Toast

    Beans on Toast

    In his book, Beans on Toast goes into great detail about the highs and lows of working and running venues, mainly Nambucca in London. There was a grassroots and DIY approach he took to these, whilst committing to support artists and originality. This is something I saw myself doing, putting on DIY shows for my band in Torbay (albeit on a much smaller scale) and something clicked. I’d always enjoyed the behind-the-scenes work of being in a band and loved the rush of creating events that brought people together. With my new found inspiration, I switched over to my university’s Events Management course, and fully immersed myself in the live music scene in Brighton. Since then, I have been lucky enough to be part of some really exciting events, and look forward to watching Beans on Toast at Exeter Phoenix this March.

    It’s events like this that we’re aiming to highlight in our partnership with the Go All In campaign. To me, it was a clear decision to support the National Year of Reading 2026, knowing firsthand the positive effect that reading can have on people’s lives. Personally, I’m a big fan of travel writing, particularly books like a Year in Provence or The Summer Of My Greek Tavérna. I love anything that conjures up imagery of distant places that feel warm and enchanting. That’s what reading is about for me; escapism. It allows you to escape your everyday life to experience something new, even if just for a moment.

    Watch Beans on Toast Live

    Beans on Toast comes to Exeter Phoenix on Wed 18 Mar with his full band to celebrate his new album Kill Them with Kindness - out now! Expect songs, stories, chaos and community in equal measure.

    His belief in positive change through kindness and his authentic folk style have made him a cult hero, and his passion is infectious. Step right up for a night of music, mischief and magic with Beans on Toast.

    Beans on Toast will also be joined by special guest, Ruth Lyon.

    More info and tickets >

    About the campaign

    National Year of Reading 2026, Go All In campaign is a UK-wide effort designed to inspire more people to make reading a regular part of their lives.

    The campaign’s important message is for people across the UK to go all in with their reading, picking up new genres, supporting local libraries and bringing books into conversations. It brings together Exeter Phoenix’s values of innovation and collaboration.

    Throughout the year we’ll be highlighting and promoting literary events at Exeter Phoenix and beyond, create reading challenges drawing from our vibrant programme or staff picks and encouraging book swapping.

    Exeter has a rich culture of literature, with an abundant of organisations doing brilliant things to highlight the importance of reading. So watch this space and follow along as we go all in.

    Go All In Logo

  7. Say hello to reusable cups!

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    At Exeter Phoenix, building a greener future for the arts is one of our core commitments. That’s why we’re cutting down on single-use plastic and introducing reusable cups across the venue.

    From now on, all drinks at standing events will be served in reusable cups. There’s an initial, non-refundable 50p charge for a cup. Then it’s yours to keep.

    We’ve upgraded our facilities so that all cups can be hygienically washed and dried on-site – not only cutting single-use plastic but also avoiding the extra emissions that come with off-site cleaning.

    Here’s how it works:

    • Pay an initial charge of 50p for a cup
    • Bring it back to the bar for a refill or swap it for a fresh one
    • At the end of the night, take it home for next time or return it to the bar

    Already got a sparkly clean (and green) reusable cup from a festival or event? Feel free to bring it along. Remember, the greenest cup is the one you already own.

    This initiative forms part of our longstanding Green Phoenix Project, which launched in 2021.

    Gemma Baal, our Green Phoenix Coordinator, says, “We’re delighted to be taking another significant step on our sustainability journey here at Exeter Phoenix with the introduction of reusable plastic cups for our busy standing events.

    “We have made a commitment through our Green Phoenix Project to become as sustainable as we can by adapting our behaviours and introducing changes to the way we operate on a daily basis. Our visitors play a huge part in these efforts and we’d like to thank each and every one of you for helping us to bring creativity and culture to Exeter in a more sustainable way.”

    You can find out more about our Green Phoenix initiative here.

  8. Women-led shows this Women’s History Month and beyond

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    Game of Crones (Raphael Lambrakis-Haddad), JV2 (Bill Knight), Nine Sixteenths (Christa Holka), Anu Vaidyanathan: Allegory

    To honour Women's History Month, and to celebrate International Women's Day (Sun 08 Mar), we chatted to some of the artists behind some of the women-led shows coming up in our Performance Programme.

    On Sat 14 Mar, Devon United Women will once again host their International Women's Festival at Exeter Phoenix, filling our building with free to attend activities, performances, workshops and stalls under the theme 'Women Raising Voices for Change'.

    In the evening Anu Vaidyanathan will present a work-in-progress performance of Allegory, her stand-up comedy show (praised by Phoebe Waller-Bridge as “super and funny”) about the stories we tell ourselves while locating identity among colleagues, friends, family—and a pet octopus with digestive issues. Using sharp observation and darkly playful humour, Anu moves through the contradictions of working womanhood—our supposed freedoms, the myths we inherit about choice and success, and the emotional labour required to hold everything together while pretending it’s effortless.

    Anu tells us: "As a woman and an immigrant parent, you’re constantly translating — language, culture, expectation. You’re translating for your children and, in many ways, for yourself. My show explores that in-between space: the tug between inheritance and reinvention. International Women’s Day feels like a moment to acknowledge not just resilience, but the complexity of that negotiation — the humour, the fatigue, the fierce tenderness of building a life across borders."

    On Sat 21 Mar, international theatre collective fish in a dress bring us their critically-acclaimed show (★★★★ The Guardian & The Stage) The City for Incurable Women: a tale of medical misogyny that tells the story of patients performing ‘hysteria’ onstage in 19th century Paris.

    The image is a close up shot of the performer’s face against a dark background. The performer is white afab and has their eyes downcast. The performer is lying on the floor with their left arm reaching over the top of their head and their left hand holding a piece of light blue chalk. This image symbolises a moment in the show when the performer is drawing a chalk circle around themselves creating a physical outline of the body connected to how trauma is held in the body.

    The City for Incurable Women

    Director Christina Deinsberger comments, "This is not a new story. It actually is a very old story. We can trace the idea of hysteria back to the ancient Greeks. And a lot has changed since then. Specifically with the growth of the feminist movement we feel a battle, a deconstruction of misogynistic stereotypes. Yet right now we feel a strong conservative pushback. Misogynistic narratives gain strength and the credibility, reliability, competence of female identifying people is under attack. So we need to look back, we need to understand what happened to understand where we are and how to move ahead."

    Company member Helena McBurney says: "Medical misogyny is an abuse of power that continues to permeate women*’s minds, bodies, and lives. It is a fundamental denial of bodily autonomy; we must resist these oppressive structures through making them visible and challenging them loudly."

    Performer Charlotte McBurney: "In a lot of ways, the days of ovarian compressors and hysterical paroxysms are long gone. The variety of treatments for “hysteria” through the ages is laughable. But we are still living with the social and medical repercussions of the “hysteria” obsession. AFAB (assigned female at birth) bodies are commodified, sexualised and disbelieved. Maybe we haven’t come as far as we’d like to think."

    We are excited for the return of favourites A&E Comedy on Wed 25 Mar, who previously brought us Witch Hunt and Do All The Things. Funny, feral, and gloriously unapologetic, their latest show Game of Crones is a celebration of women who refuse to fade quietly, and sees them march into the perilous lands of the “third age” - described as "society’s invisible wasteland where nests lie empty and the hot flushes smoulder!"

    Game of Crones

    Game of Crones (Raphael Lambrakis-Haddad)

    Comedy duo Abigail and Emma tell us: "We are thrilled to be making a return to Exeter Phoenix with our new show Game of Crones. The show is a riotous of celebration of women in their prime as it reframes the classical Hero’s journey from the perspective of a mid-life Queen-ager! We love making shows that challenge societal expectations of women, and take on the mantle of the crone to inspire women of all ages through joyful dissent and mischief. Although focused on the journey of our older female protagonist, the show holds a more universal appeal, we all have older women in our lives, mothers, grandmothers, teachers, and caregivers. In this show stereotypes of middle age are exploded and lambasted. Expect to come away with a desire to set fire to your cardigan and give an unapologetic middle finger to despair!"

    At the end of the month we welcome new work by, and supported by, one of the world’s leading female choreographers: Jasmin Vardimon MBE has been paving a pathway for others into the world of professional dance since 2012 through JV2, a training programme that has supported over 200 graduates, 87% of whom are now working professionally within the creative industries.

    The established JV2 Professional Development Diploma was developed by Jasmin Vardimon Company with the mission to encourage, cultivate and nurture young talent; offering the next generation of dancers a unique opportunity for train as versatile and multi-disciplinary performers under the guidance of Jasmin, as well as platforming rising talent in lighting and costume design, helping to build a diverse and thriving creative pipeline.

    The JV2 programme has commissioned 20 emerging choreographers, providing opportunities for their work to be created and performed by JV2 dancers, some of which you can see alongside Jasmin's work at JV2: Triple Bill on Tue 31 Mar.

    JV2 (Bill Knight)

    JV2 (Bill Knight)

    Beyond March, we have the fantastic Nine Sixteenths touring to us on Tue 05 May, where theatre maker Paula Varjack is joined by choreographer/maker Pauline Mayers, actress/director Endy McKay, choreographer Julienne Doko, and a BSL interpreter. The show charts the aftermath of Justin Timberlake exposing Janet Jackson's breast for nine sixteenths of a second during the 2004 SuperBowl halftime show, alongside a celebration of reclamation through the hopes and dreams of four black female performers.

    Nine Sixteenths

    The cast of Nine Sixteenths (Christa Holka)

    Paula tells us: "Janet Jackson was a tremendous icon to me at a time when I had relatively few black female artists to look to. She was a game changer in so many ways - and did it on her terms. After her ‘wardrobe malfunction’ the music industry let her down, in ways so effective that many thought her career faded away. Yet she kept working, making music and films and now, finally, the injustice of what happened is being recognised. In the end, it’s the art that matters. As an iconic role model for many black women, and an outspoken ally for the LGBTQI+ community she made great art. The show also looks at why role models matter and the lack of older female role models of colour and the role that (largely) white male media executives play in deciding who thrives in mainstream pop culture."

    As part of Matrescence Festival, Marie Hamilton will be bringing us babes-in-arms friendly performances of her Edinburgh Fringe hit, Madonna on the Rocks on Tue 19 May. In this show - which sits somewhere between a musical and cabaret - Marie draws from her own lived experience and manages to tackle the darkness and complexity of new motherhood with raw honesty, humour and heart. It’s an urgent issue in our society, yet very few people are aware of the social, physiological and psychological transitions people go through when becoming mothers, known as matrescence.

    Madonna On The Rocks

    Madonna On The Rocks (Mihaela Bodlovic)

    Marie says: "I had my first baby in 2022 and suffered from post natal depression. Sometimes it felt like I was drowning and I would never reach the surface. Characteristically dramatic, I could feel my horizons shrinking to the size of the changing table, and my resentments starting to pile like the nappies in the bin. This play is about the beautiful, awful contradictions of motherhood in the 21st Century. Whether you can still be a feminist if you can’t afford childcare, matrilineal sacrifice, maternal rage, and the pressure of making work good enough to justify leaving your child."

    Matrescence Festival organiser Lizzy Humber will be hosting a post-show Q&A with Marie following the matinee performance.

    We also look forward to our May half-term holiday "feel-good" family offering: Rabbits Out of the Hat is a Vaudevillian comedy magic show for people of all ages, featuring circus arts, contortion, showstopper songs and dance. As the show begins, Norvil & Josephine appear to be the traditional magician and assistant. But the status quo is about to be turned on its head... It is a game changing show which challenges the stereotype of the commanding male magician and silent supportive female assistant.

    Co-creator, Desireé Kongerød (aka Josephine), explains: "The comedy musical magic show Rabbits Out of the Hat is a play about Norvil & Josephine, a brother and sister vaudevillian magic duo. The play is set in 1905 at a pivotal moment in the history of the suffragette movement. Josephine, Norvil’s assistant, is inspired by the movement to find strength to realise her own dream of becoming a magician. By bringing this historical element into the story, it shines a light upon the important topic of women's equality to a new generation and the fact that women’s right to vote has only existed for 108 years."

    Writing in the show's programme, academic Annegret Märten observes: "It was a time when women were pushing boundaries and demanding more than just applause – they wanted real change. And, just as Josephine starts to control the stage, we’re reminded that these women were fighting for control over their own lives. As you watch the show, maybe you’re wondering, who else in the world outside the theatre is trying to find their voice? The magic in Rabbits Out the Hat isn’t just for laughs and gasps – it’s a reminder that the fight for equality and the right to be yourself is still happening. So, as you enjoy the spectacle, think about the real-world magic of people standing up, speaking out, and making change – just like Josephine."

    We can't wait for young people and adults alike to experience and feel empowered by this hilarious and heartwarming show on Wed 27 May.

    Rabbits Out of the Hat (Chris Nash)

    Rabbits Out of the Hat (Chris Nash)

    Please join us in celebrating these incredible stories of women and supporting the creatives behind shows by coming along to their performances. We offer a range of ticket prices under our Pay What You Can scheme, with options from £8 to £16, across our seasonal Performance Programme.

    Do you identify as a South West based woman seeking an opportunity to platform a new piece of performance work? Applications are now open for the next Scratch Night in collaboration with Exeter Northcott, which will be featured as part of Reclaim Festival: a festival of work by women, for everyone. Find out more and apply >

  9. Two Short Nights is proud to announce this year’s Best of the Fest Jury

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    Two Short Nights Film Festival celebrates short films and the people who make them. Every film exhibited has earned it's place on the big screen and we are passionate about connecting these films with audiences.

    To close the festival, Two Short Nights presents several awards to filmmakers, including our Best of The Fest Award Category. Audiences can view all films that have been short listed for this award at our Best of the Fest screening on Fri 06 Mar, 6:30pm.

    Other awards presented at Two Short Nights are:

    • The Audience Choice awards - selected by those who have attended the festival
    • 48 Hour Film Challenge - awards to the top three films entered as part of our annual film challenge.

    This years Best of the Fest Jury are:

    Lily (TSN)

    LILY MATTHEWS

    Lily is a graduate from Falmouth University where she studied Fine Art. Lily has worked for an arts organisation for several years now, and enjoys being part of a creative community.

    Her interest in film extends to both filmmaking and film criticism. Her films often blend ideas of nostalgia, nature and character archetypes. She enjoys watching a wide variety of films, but is especially interested in films with experimental and transgressive aspects, such as the films of Antonia Bird, Andrea Arnold, David Lynch and John Waters.

    She has enjoyed attending the festival in previous years and has always been impressed by the creativity and variety of the shorts. She is excited to be more involved with the festival this year.

    DR TOMI (TSN)

    DR TOMI ADESINA

    Tomi Adesina is a screenwriter and lecturer in creative writing at the University of Exeter where she convenes the screenwriting modules. Her research explores representations of ageing and place in Nigerian and South Korean cinema. In 2018 she won the AMAA Achievement in Screenplay prize for her contribution to the film, Hakkunde.

    OSIAN (tsn)

    OSIAN ANDREW

    Osian Andrew is a Welsh film programmer, event producer and panel host. He began his career as a filmmaker before moving into film exhibition and programming, where his work focuses on accessible screenings, rebuilding cinema audiences, and championing Celtic language film in both short and long form. Osian is a BFI Film Academy Young Programmer and programmed the BFI Future Film Festival 2025. In 2024, he co-programmed and delivered the inaugural Celtic Voices event at the BFI London Film Festival, a programme he has since toured across the Celtic nations over the past two years. He is attending Two Short Nights Film Festival presenting another Celtic Voices screening as part of the festival programme, celebrating modern Celtic language cinema

    ALLISTER (TSN)

    ALLISTER GALL

    Allister is an artist-filmmaker and educator whose work explores place, community, and the ecologies of the moving image through collaborative and experimental practices. His films have been supported by the BFI and exhibited internationally in galleries, festivals, and journals. Recent work includes RE/POSIT/ORY (2024), a multi-screen installation examining archival bias. He is co-founder and co-director of Imperfect Cinema, a participatory film collective producing site-specific screenings, co-creative projects, and public film initiatives.

    This year's Two Short Nights awards have been made by local artist by Marson Wu.

    Marson Wu

    MARSON WU

    Marson is an illustrator from Taiwan, lives and works in Exeter.

    Graduated from University of Brighton with Sequential design& illustration MA in 2020. Inspired by nature and animals, she enjoys creating unique plants and quirky creatures. Working with watercolour, pencil, cyanotype and risograph.

  10. Madonna on the Rocks – Matinee FAQs

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    We understand that attending an evening performance when you have children can be a challenge. So we have designed a relaxed matinee performance of Madonna on the Rocks for parents, grandparents and carers to be able to attend, where children under 18 months are welcome too.

    Please note, the following information is relevant to the 1pm performance of Madonna on the Rocks.

    What to expect:
    On arrival you will be supported to park your buggy and find an emergency cup of tea, piece of cake or something stronger from our café bar. Come a bit early to meet other sleep-deprived parents, we’re all in it together.

    Relaxed Show:
    This is a special daytime show with reduced amplification and dimmed lighting. You will be free to move about during the performance, come and go as you need. We sell seating at a reduced capacity so there's plenty of space. There will also be some mats and toys for the children to play and a baby change at the side of the auditorium so you don’t need to miss a thing. Please feel supported to breast, chest or bottle-feed. We can also provide hot water behind the bar if you need to warm bottles.

    This is a relaxed space. We expect babies and toddlers to make noise. No apologises needed! Please be respectful and supportive of each other.

    Timings:
    1pm - 2pm followed by a 20 minute interval.

    The show is 1 hour, with an optional 20 minute post show discussion facilitated by Lizzy Humber (Matrescence Festival & Daylight Sessions).

    Snacks and drinks available in the café bar during the interval.

    Content Warning:
    This is an adult centred show, with age guidance 14+

    Madonna on the Rocks contains themes of post-natal depression with strong language and adult themes. We have recommended that accompanying children are under 18months. You will know your child best and the age of the accompanying children is at your discretion.

    The soundtrack features heavy bass (set to baby-safe levels) and flashing neon lights. For extra peace of mind, ear protectors will be available on a first come first served basis.

    Tickets:
    Children under 14 can go free (booking required), although the age of accompanying children for this show is under 18 months (please see content warning above).

    FAQs

    Further Support:
    For other access need or questions please get in touch with our Venue & Visitor Services Manager Anna-Ruth on annaruth.peelcusson@exeterphoenix.org.uk or call 01392 667060.

    This special event is in partnership with producer and mother Lizzy Humber who offers Matrescence Festival and Daylight Sessions – daytime art, culture and gigs for parents. Find out more at lizzyhumber.com

  11. Dance talent in our 2026 Spring Performance Programme

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    Mapdance (Bike Bignell)

    Our 2026 Spring Performance Programme is packed full of the hottest dance talent, with shows featuring gritty dance-theatre, athletic and fast-paced choreography, hip-hop and break-dancing, and opportunities to showcase performances by local dancers alongside the main event. Plus, two movement workshops designed for people of all experiences.

    On Wed 25 Feb, mapdance 2026 brings together nine dancers and three newly commissioned works by renowned and upcoming contemporary choreographers Cathy Waller, Amy Morvell and Luca Silvestrini's (Protein Dance’s Artistic Director) dance response to Max Richter’s original work by the same title which features readings from 1948’s Universal Declaration of Human Rights. Plus, a restaging of Yukiko Masui’s contemporary take on Vivaldi - For Seasons - from 2024. The University of Chichester’s performance company is an established group of dynamic young dancers recruited nationally and internationally, and they have been busy working with students at the Exeter College Dance Academy today, co-creating their curtain raiser performance for the event.

    Mapdance (Bike Bignell)

    Mapdance (Bike Bignell)

    On Sat 28 Feb, in celebration of Salaam Salaam Theatre’s upcoming performance of I'm Muslamic Don't Panik, Devon-based professional dancer and choreographer, Maria Tarokh will be leading Persian Moves & Grooves: Dance & Choreography Workshop. Set to an eclectic, feel-good soundtrack that blends global beats and infectious grooves, this workshop promises high energy, creative expression, and good vibes only. Whether you’re a confident mover or just curious to try something new, this is your chance to move, connect, and celebrate culture through dance.

    We asked Maria what people can hope to take away from participating in the workshop and attending the show. She told us:

    'Joining the workshop is a way of getting a flavour of Persian culture and the themes in Bobak's show. Particularly hospitality which is a huge part of our culture. In Iran, dance often has a kind of cathartic purpose, we dance at funerals and weddings, in the street, at parties, at dinners - any excuse! So in the workshop we'll be bringing that spirit of release and using movement to find joy.'

    Reflecting on why it is important to offer this free-to-attend workshop to the community, Bobak explained:

    'We really wanted to offer a chance for people to get to know their local dancers, participate in a joyful couple of hours and start to get a flavour of the show. The need to come together and dance has never been stronger and typically Iranians are really great party starters! Bringing the joy to the room with an infectious style of social dance that is graceful and charismatic.'

    On Tue 03 Mar, Bobak Champion takes us on his journey of self-discovery in I’m Muslamic don’t Panik, as he meets a whole cast of weird and wonderful characters - from women defiantly running the first (and last) ever Tehran marathon, to stumbling into an underground breakdance battle. Whilst the media frequently portray the Middle East as a frightening and dangerous place, Bobak shows us the positivity, joy, family and community that we rarely get to see, using a captivating mixture of live music, spoken word, break-dancing and comedy. Bobak will be joined onstage by Devon-based special guests, Sam 'BBoy Sheku' Phillips and Bboy Master Splinter, two of the most highly regarded and internationally renowned dancers currently active in the UK breaking scene.

    Bobak told us:

    'We've always made an effort to connect with and find local dancers wherever we go to make guest appearances in the show. Often digging into the underground hip-hop scene to reach out to dancers who sometimes get marginalised and overlooked. As a company we're keen to celebrate local dance communities in the areas we visit. Particularly in the hip-hop scene and Iranian diaspora. Some colleagues said "Bobak, isn't this risky, sharing the stage with dancers you've never even met" - but we've kept faith and so far it has been really amazing and keeps the show super unique and exciting each time.'

    Bobak's beautiful story will have you laughing-out-loud and feeling full of hope. After the show, you can even enjoy a chat with your neighbours and the artists as we serve traditional Persian tea and date biscuits called Kolompeh. Read more about Bobak's wonderful work here.

    I’m Muslamic don’t Panik (Oliver Parker)

    I’m Muslamic don’t Panik (Oliver Parker)

    On Sat 21 Mar, Christina Deinsberger (Complicité associate artist and co-founder of international theatre collective fish in a dress) will be leading a workshop called Movement Makes Story: Devising from a physical practice, which will include physical exercises to explore a devising practice, connecting the individual body to the collective to create an image, explore a dynamic, or tell a little story. For actors, directors and theatre non-professionals – all experience levels are welcome. This unique learning opportunity will be followed by an evening performance of their critically-acclaimed show The City for Incurable Women, which features integrated audio description.

    Movement Makes Story

    Movement Makes Story

    On Tue 31 Mar, JV2: Triple Bill presents an explosive young ensemble of 16 international dancers showcasing an exciting and energetic mix of inventive choreography and exceptional new talent, including three new works by Company associates Yunkyung Song & Vivian Triantafyllopoulou, and Artistic Director Jasmin Vardimon MBE. The Jasmin Vardimon Company has been a leading force in British dance theatre for over 25 years, building a reputation for challenging and visually arresting dance productions infused with social and political commentary.

    Having developed a uniquely individual choreographic voice, distinguished by detailed movement, insightful humour, and engaging drama, Vardimon is renowned for her physical and theatrical style. Incorporating innovative technologies, text and dance, Vardimon's multi-award-winning work is accentuated with an acute observation of human behaviour, making it widely accessible and socially relevant. Our resident dance company Chhaya Youth will also be performing a curtain raiser, featuring new work by the young dancers.

    JV2 (Bill Knight)

    JV2 (Bill Knight)

    Emergency Chorus return to our stage on Mon 20 Apr - following their previous performance Landscape (1989) - with Ways of Knowing, a dance-theatre work that investigates the tools we use to predict and prophesy the future, from early meteorological devices to corporate trend forecasting and divination. Winner of the Untapped Award 2025, this Bristol-based live art collective has a reputation for creating highly unique collage-like performances of text, choreography, music and image, described as “Beguiling and enchanting work” by The Guardian. Prepare to be immersed in something truly different as you encounter a council of leeches, a mystic hermit, a Victorian inventor, an economics conference, and a dark and dripping cave!

    Ways of Knowing (Jemima Yong)

    Ways of Knowing (Jemima Yong)

    All tickets are offered on a Pay What You Can basis. You can find out more about our Pay What You Can ticket scheme here, for find our full performance programme here.

    We hope to see you at some of our events this season!

  12. 2026 Exeter Phoenix Short Film Commissions: applications now open

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    Still from Sinead O’Toole's 'Sunbeam', one of Exeter Phoenix's 2025 Micro Short Film Commissions

    Applications are now open for the 2026 Exeter Phoenix Short Film Commission Scheme.

    For 25 years our film commissions have supported the development of filmmaking talent and film production in Devon and the South West. This year we are inviting you to submit your film ideas for 5 commission strands, with one commission being awarded in each strand. As well as being awarded money towards your production, each commission also provides mentoring, feedback and development opportunities as well as in-kind support in the training and access to space and equipment.

    This year the commission strands open for application are:

    • Devon Short Film Commission
    • South West Short Film Commission
    • Artist Moving Image Commission
    • Micro Short Film Commission
    • DOCLAB Micro Documentary Film Commission

    Find out more

    We will also be holding three open online Q&A sessions online where you can meet some of the team behind the Exeter Phoenix commissions and hear a bit more about what the opportunity entails. You do not have to attend these sessions to apply, but we hope that they will be useful to you. Feel free to ask us anything and use it as an opportunity to come and find out a bit more about the process and what it is like to work with us.

    Q&A session dates:

    • 10:30am, Monday 23 Feb
    • 2:30pm, Wed 04 Mar
    • 6:00pm, Wed 11 Mar

    If you would like to attend one of these sessions, please email digital@exeterphoenix.org.uk

    Commission Timeline:

    The dates for the commission process are as follows:

    • Applications open Wed 18 Feb 2026
    • Applications close 5pm, Sun 22 Mar 2026. Interviews for shortlisted applications will take place in late April.
    • Projects are to be completed by Mon 04 Jan 2027 for screening at Two Short Nights in 2027 (dates TBC).

    If you have any questions or would like additional information, please email questions to digital@exeterphoenix.org.uk

    How to apply

    Head to our Creative Opportunities page to apply. Please read the guidelines before applying.

  13. Our Performance Programme is Pay What You Can

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    At Exeter Phoenix, we strive to make our Performance Programme as accessible as possible. Whether you are here to watch an award-winning show by an internationally renowned company or a work-in-progress performance by emerging South West talent, we are proud to offer a range of ticket prices under our Pay What You Can scheme.

    Lower cost should not equal lower quality.

    We believe that everyone should be able to access high quality art and culture, and we are constantly working behind-the-scenes to implement unique, creative and cost-effective solutions that enhance and advance our offering to the community​. It is our mission is to ensure that everyone has the opportunity to experience innovative work at the forefront of contemporary practice. We aim to share the magic of live performance, to empower artists and audiences alike, to nurture the wider community, and to inspire positive change.

    Our Pay What You Can ticket scheme serves to demonstrate our commitment to our community. While theatre ticket prices continue to soar across the country, our audiences can decide to pay £8, £10, £12, £14 or £16, while Students & Under 25s can access £6 tickets all year round. We guarantee you won’t find lower ticket prices at any other performing arts venue in the region!

    We know that our audiences believe in our mission to support a thriving creative and cultural city, with many opting to pay the recommended price of £16. We would like to express our deepest gratitude for your ongoing support. Not only does this help the artists who make the work, it allows us to facilitate the development of new talent by giving artists the tools to experiment, take risks and realise their best ideas. This means we can present even more exciting events in Exeter and continue to nurture a thriving local arts ecology. We exist because our audience continues to support and cherish what we do.

    Thank you!

  14. Introducing our February 2026 Scratch Night Artists

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    Exeter Phoenix is once again joining forces with Exeter Northcott for our next Scratch Night. This night is a crucial step for the artists and an unforgettable, left-field experience for the audience. Expect an eclectic, entertaining mash-up of fresh work-in-progress performances.

    Ahead of their performances on Mon 23 Feb, we are pleased to present the selected artists for our February Scratch Night in partnership with Exeter Northcott!

    Molly Gooch – Tactile (Feb 2026)

    Tactile

    by Molly Gooch 

    Age guidance: 14+ | Content warning: grief, depression, strong language

    Tactile is a new contemporary play exploring how physical possessions connect us to reality in an increasingly digital world. The piece emerged from a simple question:

    “What will be left when I die?”

    The play follows three siblings, Saf, Chris and Jem, as they reunite to sort through their late mother’s belongings. What begins as a practical task becomes a deeply emotional excavation of memory, love and loss. Through humour, tenderness and confrontation, Tactile examines how grief reshapes the bonds between us and how the things we hold both physical and emotional connect us across generations.

    At its core, Tactile explores society’s ‘return to the analogue’ as coined on social media, in a culture that is becoming ever more digitised. It examines what “real” connection means at a time when so much of our communication and memory storage happens online. By focusing on the intimate and the material, the piece offers audiences a space to reflect on the value of touch, presence and the things we inherit from one another and the lessons they can teach.

    Instagram

    Eleanor Hope-Jones and Kate Rowsell – Roach Girl (Feb 2026)

    Roach Girl

    by Eleanor Hope-Jones and Kate Rowsell

    Age guidance: 15+

    Ro grew up believing that decency, effort, and fairness were rewarded with social mobility. Until one night she loses her career to corrupt redundancies, her fiancé to an AI chat bot, and her flat to a cockroach invasion...

    Inspired by urban antihero films such as Taxi Driver and Joker, this piece flips the lens to examine how one woman absorbs and responds to systemic failure. As Ro’s moral framework collapses, a once-principled woman evolves into something tougher and stranger.

    Eleanor's Instagram | Kate's Instagram

    Image credit: George Devereux

    Lucy Bell - Don't Event (Feb 2026)

    Don't Even

    by Lucy Bell

    Age guidance: 14+ | Content warning: Mention of death in a car accident, gambling addiction, strong language

    Don't Even is the story of Maeve, Joan and Luke. Maeve is a gardener who likes a flutter, married to a vicar who hates gambling. He is seriously ill and Maeve places a bet, hoping to finance his treatment.

    When Maeve wins a million pounds she has a problem: she placed the bet using a church bank card and needs Joan, the judgy church treasurer, to validate her claim.

    When the betting firm tries to dodge paying out on a technicality, Maeve and Joan become uneasy allies in pursuit of their claim…whilst keeping the whole thing secret from Luke.

    Inspired by the real-life David Goliath story of a Southwest gardener who took Paddy power to court, Don't Even is a macabre and surreal new script about turning the tables, and the sh*t that goes down when women step into their power.

    Instagram

    Rob Harrison - The Underworld Revue (Feb 2026)

    The Underworld Revue

    by Rob Harrison

    Age guidance: 7+ (no explicit language or content. Occasional metaphorical reference to sexual and mental health topics)

    Recall the last time you felt truly alive. At the weekend, when you finally finished that half marathon you were telling everyone about? Last night, getting laid for the first time in a year? Or 25 years, 241 days, 5 hours and 47 minutes ago, before you tied the knot with Mark?

    Musician and storyteller, Rob Harrison, asks you to join him in feeling quite the opposite: truly dead. So dead that you’ve entered Hades’ realm itself. Uhuh, the Greeks got it right. There’s quite a few of you here all at once, so the king has asked his mythological buddies to prepare you some light entertainment in the form of story and song, all to help pass the time. An Underworld Revue, of sorts…

    Submerge into a dark world, and be set on a path to find the light. Focusing on a unique and exciting sound-centred approach to storytelling, Rob Harrison’s work opens the audience to “new points of compositional departure” and shares his “open-minded, curious, and constructive style.”

    Now, Sit back, relax, don’t think about how you died, and enjoy The Underworld Revue.

    Instagram | Website

    Image credit: Jessica Collett

    Esme Lovell -
Wish For Bold Wisdom (Feb 2026)

    Wish For Bold Wisdom

    by Esme Lovell

    Age guidance: All Ages

    This movement theatre show will demonstrate vulnerable aspects of the self in women and a female platonic intergenerational relationship. This performance is abstract and literal with visceral, textured movement and music. We layer spoken word, dance, and physical theatre with live cello and recorded music.

    We express how different generations of women create, react, relate, share, and learn from each other. This work is connecting to the modern day loss of a pathway for many elder women, leading to a gap in the potential for the younger generation to grow from learning lived wisdom. As a 22-year-old, I yearn for a societal shift that creates space where intergenerational women can integrate and provide for each other.

    This performance confronts ageism, sexism, and women's internal struggles that are not seen, not understood and often overlooked. We can make space and bring light to these topics relatable for all ages.

    Credits:
    Creator and performer - Esme Lovell | Instagram
    Devising performer - Elizabeth Thomas
    Composer and musician - Noelle Plusnin

    Join us on Mon 23 Feb, 7pm for Scratch Night in collaboration with Exeter Northcott and sample the delights of these bold, fresh, new work in progress performances!

    Katy Danbury (Exeter Phoenix Performance Programmer & Scratch Night producer) and Sam Parker (Northcott’s artist development producer) will be co-hosting a pre-Scratch gathering in the Workshop space at Exeter Phoenix from 6pm, inviting people to feedback on our current Scratch offer, suggest ideas on what you have seen work well elsewhere, and any other suggestions or thoughts you might have about the general artist development offer in Exeter. Free to attend, no need to book.

  15. Announcing our 2026 Spring Performance Programme

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    A new season of stories awaits at Exeter Phoenix.

    This spring, we welcome fresh talent, celebrate community and champion bold, original work by critically acclaimed, multi-disciplinary artists.

    mapdance 2026 on Wed 25 Feb and JV2 on Tue 31 Mar see some of the best post-graduate dancers in the country start their journey in the industry, working with internationally renowned choreographers. Both events also showcase short curtain raiser performances by local students, inspiring the next generation of dance talent.

    mapdance 2026 (Mike Bignell)
    mapdance 2026 (Mike Bignell)

    Bobak Champion's genre-defying new show, I'm Muslamic Don't Panik on Tue 03 Mar, features breakdancing, live saxophone performance, Iranian folk music, comedy and clowning.

    Coming to Exeter Phoenix on Sat 21 Mar, hot from Edinburgh Fringe success, The City for Incurable Women by international theatre collective, fish in a dress, combines physical theatre, integrated audio description and storytelling to revive history through a queer-feminist lens.

    Both events extend an invitation to engage with the work beyond the performances, including Bobak's post-show gathering encouraging friendly chats over tasty Persian tea and biscuits, and a pre-show Movement Makes Story workshop with fish in a dress's Berlin based director & Complicité associate artist, Christina Deinsberger.

    The City for Incurable Women
    The City for Incurable Women

    A regular highlight in our calendar, the riotous Spork! Poetry returns with Poetic Hunts: A Valentine's Special on - you guessed it - Valentine's Day! As always, you can expect an extraordinary display of spoken word talent, including special guest Naomi Wood who brought the spectacular Gobbess to us last year, a deliriously fun time co-creating a 'community poem', and an audience Love Poem competition.

    Alongside Spork!, the Exeter City of Literature team has put our city firmly on the map as a place where poets and spoken word artists - both new and established - can thrive by hosting the 4th annual City Slam on Thu 16 Apr. The winner of this exciting competition will be entered into the 2026 Slamovision; an international slam competition featuring poets from UNESCO Cities of Literature across the world!

    City Slam
    City Slam (2025)

    Raucous comedy continues with Game of Crones on Wed 25 Mar as A&E Comedy (Witch Hunt, DO ALL THE THINGS) return to our stage with their latest feral and gloriously unapologetic offering; a celebration of women in their prime – warriors who will not go gentle into bingo night. Prepare for an incomparable night of entertainment and laughter.

    The school holidays feature theatre for the whole family. During February half-term, Anglo-Indonesian children’s shadow puppet company, Indigo Moon Theatre, merge colourful design, original music, engaging storytelling and a combination of marionettes, rod puppets and live acting to reimagine the iconic story of Gulliver's Travels. The show, Gaby Gulliver’s Travels (coming to Exeter Phoenix on Mon 16 Feb), marks the tricentennial anniversary of Jonathan Swift’s book being published.

    Gaby Gulliver’s Travels
    Gaby Gulliver’s Travels

    During the Easter break, on Tue 14 Apr, we welcome back Brave Bold Drama (The Midnight Mission) with The Mexico Mission: a highly interactive, playable theatre show that asks the audience to vote and help solve an art forgery case. The show will be followed by an arts and crafts workshop enabling children and their grownups to explore more about traditional Mexican culture.

    All this and much more can be discovered in our Spring Performance Programme! Find the full programme here.

  16. Documental Productions: Scaffolding – Full Show Recording

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    In July 2024, South West theatre company, Documental Productions was selected for the prestigious Edinburgh National Partnerships award by Bristol Old Vic and The Pleasance Theatre Trust. Before heading to EdFringe, they presented a sold-out work-in-progress performance of their show Scaffolding at Exeter Phoenix. Written by local award-winning writer and Exeter Phoenix associate, Lucy Bell, Scaffolding shines a light on caring and the wellsprings of hope and strength in small communities.

    As part of their 2025 remount of the play, Documental have produced a full subtitled recording of their show at Sterts Arts and Environmental Centre, now available to watch on their YouTube channel.

     

    Developed in association with Bristol Old Vic, Scaffolding follows Sheridan. She is having a bad day: her church is closing, Adult Social Care are on her case, and she can’t work out which ingredients she needs to make a bomb. With no one else to turn to, she climbs the scaffolding around a leaking steeple with a few questions for Whoever Is In Charge...

    Developed in association with Bristol Old Vic, Scaffolding follows Sheridan. She is having a bad day: her church is closing, Adult Social Care are on her case, and she can’t work out which ingredients she needs to make a bomb. With no one else to turn to, she climbs the scaffolding around a leaking steeple with a few questions for Whoever Is In Charge...

    About Documental

    Led by Lucy Bell and producer Naomi Turner, Documental Productions is a Devon-based company producing bold, joyful New Writing (theatre, musicals, audio, film and original music) which centres the lived experience of learning disabled and less-head voices. Documental Productions recently won an honorary award for efforts in social film making for Unreachable, a  film screened at Exeter Phoenix's Studio 74 in 2025.

    In a 2024 interview for our Creative Hub, Lucy discussed what they enjoyed most about the creative scene in the South West. Lucy said 'I like the way most of us know each other and have really got each others' backs'. You can read the short interview here.

    Credits

    Creative & Production team:

    Kerry Norton - Performer / Sheridan
    Lucy Bell - Writer
    Natalie Simone - Director
    Katie Villa - Associate Director
    Naomi Turner - Senior Producer
    Susannah Bramwell - Engagement Producer
    Ella Barraclough - Set & Costume Designer
    Rachael Duthie - Lighting Designer / PM consultancy
    Joseff Harris - Sound Designer / Composer
    Karla Shacklock - Movement Director
    Josh Lucas - Technical Stage Manager
    With thanks to the original director, producer and performer Lillian Waddington, Jessamie Edkins-O'Brien and Suzanna Hamilton

  17. Little Scratch Night: Housekeeping & Safe Space Charter

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    Little Scratch Night is an informal, safe and nurturing space for local creatives to not only talk through their ideas, but to connect with fellow creatives about the kind of work they want to create, on a monthly basis. It is a space to explore, play, and take creative risks.

    To help everyone feel supported and respected, we ask all participants to embrace the following values:

    We Grow Together
    Be encouraging — we are all experimenting and learning.
    Celebrate courage: every scratch is a step forward.

    We Respect Each Other
    Treat everyone with kindness, patience, and curiosity.
    Listen fully when someone is sharing or performing, and please make sure that phones are silenced during the session.
    No assumptions — we honour everyone’s identities, experiences, and boundaries.
    We recommend keeping this an alcohol-free space as there is no age restriction for attendees - after the session there's a chance to grab a drink at the bar and continue discussions, if desired.

    We Keep Consent at the Core
    Photos, physical contact, personal space, and sensitive themes all require clear consent.
    If you’re unsure — ask first.

    We Share Thoughtfully
    Feedback should be constructive and invited.
    Focus on what landed, what was exciting, and what could be explored further.
    Avoid personal criticism — speak to the work, not the person.

    We Look After Ourselves
    Take time out if you need it — no explanations required.
    If something feels triggering or uncomfortable, you can:
    Step away quietly;
    Let a facilitator know;
    Ask for a re-set or pause.

    We Keep It Confidential
    Personal stories and unfinished ideas stay in this room, unless the creator wishes to gain further feedback afterwards.

    We Have Fun!
    Play, try the wild idea, be silly!
    Applaud the bravery in every attempt.

    Together we create a space where:
    Everyone is welcome
    Everyone is safe
    Everyone can shine.

  18. The groundbreaking cinema of Lynne Ramsay

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    Fresh from the film festival circuit comes an intriguing and brave new black-comedy-drama from revered Scottish filmmaker Lynne Ramsay. Die My Love tells the story of Grace, portrayed by Jennifer Lawrence in a career-defining performance, a woman with hopes of writing the Great American Novel. Grace and her partner Jackson (Robert Pattison) have recently moved to rural Montana and begin to settle into their new life. However, things are not as perfect as they seem. As the couple welcome their new baby, Jackson is often, and suspiciously, absent from the home, and Grace begins to fall into a spiral of postpartum psychosis.

    Die My Love is one of the most anticipated films of the year, not only because of its concept and cast, but because of Ramsay’s reputation as one of the most respected filmmakers of her generation. The film premiered at Cannes Film Festival this Spring and was nominated for the prestigious Palm D’Or award. The cast also includes cinematic icon Sissy Spacek and the brilliant LaKeith Stanfield, known for his roles in Sorry to Bother You and Get Out. Die My Love is Ramsay’s fifth feature film and promises to be just as compelling as her previous work.

    To celebrate Die My Love screening at Studio 74 this month, we are looking back on Lynne Ramsay’s impressive career.

    Die My Love still 1

    Starting in 1999, Ramsay released her first feature film Ratcatcher, which told the story of a young boy living in Glasgow in the 1970s. Upon its release, the film was met with critical acclaim and is now regarded a classic of British independent cinema. In 2024, Ratcatcher was re-released to mark its twenty-fifth anniversary and was screened at Studio 74. The screening was organised in collaboration with Reclaim the Frame, and included a special pre-film talk about Lynne Ramsay’s work, and how her experiences as a female director have shaped her work.

    Ratcatcher was followed by Morvern Callar in 2002, which is the story Morvern, portrayed by Samantha Morton, who publishes her dead boyfriend’s novel under her own name. The film is notable for its slow-pace and hypnotic style; techniques which Ramsay would build upon in her later works.

    Almost 10 years later in 2011, the release of We Need to Talk About Kevin solidified her reputation as masterful filmmaker. The film, like most of Ramsay’s work, deals with difficult themes with a dark tone. It sees Eva (played by Tilda Swinton), as she visits her son Kevin in prison, as she tries to understand a violent act they committed. The film deals with motherhood and postpartum depression, which are themes Ramsay revisits in Die My Love. Ramsay has always taken an unflinching look at difficult themes, taking an honest look at the more difficult side of parenthood. We Need to Talk About Kevin is widely regarded as a modern indie classic.

    We Need to Talk About Kevin was followed up by You Were Never Really Here in 2017. Written and directed by Ramsay, the film stars Joaquin Phoenix as a traumatised veteran, who tries to rescue a kidnapped young girl. Joaquin Phoenix won the award for Best Actor at the Cannes Film Festival for his groundbreaking portrayal in the film, and Lynne Ramsay was awarded Best Screenplay.

    Die My Love 2

    Studio 74 is dedicated to spotlighting the work of female and gender minority filmmakers. We are excited to see the work of one of film’s most influential and inspiring women back on the big screen.

    Lynne Ramsay’s Die My Love (15) will be screening at Studio 74 from Fri 21 Nov to Thu 04 Dec.

  19. Sun and Moon Window (1998) by Sir Terry Frost Renovated at Exeter Phoenix

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    Sir Terry Frost (RA)
    Sun and Moon Window, 1998
    Hand blown stained glass

    This extraordinary public artwork by the late Sir Terry Frost RA (1915 – 2003) depicts an abstracted seascape in which the water reflects images of both the sun and the moon. It was commissioned to coincide with the opening of Exeter Phoenix in 1999, redeveloped from the former Exeter & Devon Arts Centre with the support of the National Lottery.

    Sir Terry Frost RA sat in front of Sun and Moon Window in the studio, 1998
    Sir Terry Frost RA sat in front of Sun and Moon Window in the studio, 1998

    Sir Terry was a leading figure in 20th Century British abstract painting, whose work was renowned for its use of light, colour and shape and is held in many national and international museum collections. He was one of a trail-blazing group of mid 20th Century modern artists who were drawn to the extraordinary light and landscape of Cornwall, which continued to inspire his work throughout his life. Created towards the very end of his long career, the opportunity to translate his work into stained-glass added an unusual, possibly unique, medium to Frost’s extensive body of work.

    The Sun and Moon Window in Sir Terry Frost RA's studio with paper drawing behind
    The Sun and Moon Window in Sir Terry Frost RA's studio with paper drawing behind

    "I’ve seen wonderful stained glass in various places all over the world, from Le Corbusier’s chapel at Ronchamp to the Matisse Chapel in Vence, and the Cathedrals at Rouen and Reims...

    I wanted to get the colour so that it can be more than on the glass, but in the space, so people walk through the colour and feel it."  Terry Frost, 1998

    Matt Le Breton renovating the Sun and Moon Window at Exeter Phoenix, 2025
    Matt Le Breton renovating the Sun and Moon Window at Exeter Phoenix, 2025

    Located in the busy heart of our building, the window has formed a backdrop to thousands of creative, cultural and community events for over 25 years. In 2025, with the support of The Finnis Scott Foundation, it was renovated by local glass artist, Matt Le Breton, to ensure that this important piece of local and national art history is preserved as an important part of our ongoing story.

  20. Introducing our October 2025 Scratch Night Artists

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    For the first time, Exeter Phoenix are joining forces with Exeter Northcott for the October Scratch Night, which will be presented at Exeter Phoenix as part of Northcott’s Elevate Festival; an annual celebration of local artists and new work.

    Ahead of their performances on Mon 13 Oct, we are pleased to present the selected artists for our Scratch Night in partnership with Exeter Northcott!

    Tom Marshman – Glitches in Time (Oct 2025), a solo performance in development exploring queer aging, digital exclusion, and the shifting idea of community.

    Glitches in Time

    by Tom Marshman

    Age guidance: 16+ (semi-nudity, sexual content)

    Glitches in Time (working title) is a new solo performance in development exploring queer aging, digital exclusion, and the shifting idea of community. Through a mix of autobiographical storytelling, camp performance, and archival response, Tom opens up a conversation about desire, technology, and belonging.

    Drawing on personal experience, including the absurdity of being banned from Grindr, Tom navigates mythologies of aging, the politics of visibility, and the glitches that occur when queer bodies meet digital worlds.

    Tom Marshman is an artist based in Bristol who explores stories from the queer community, past, present, and future, often bringing people together through socially engaged projects such as tea parties. By sharing this project at its earliest stage, Tom hopes to spark a wider dialogue and create spaces where stories of aging and digital intimacy can be told, celebrated, and directly integrated into the show.

    Instagram

    Image credit: Paul Blakemore

    Alex Robins & Jon Nash – Bone Caves (Oct 2025), an immersive and multi-sensory audio experience inspired by the historic findings at Cattedown Bone Caves in Plymouth.

    Bone Caves

    by Alex Robins & Jon Nash

    Age guidance: 12+ | Content warning: this performance will take place in the dark

    ‘Bone Caves’ is an immersive and multi-sensory audio experience inspired by the historic findings at Cattedown Bone Caves in Plymouth; home to some of the oldest human remains found in the United Kingdom.

    You sink into a slowly darkening space as your current location and time fades, we guide you through a series of pitch black limestone caves scattered across the coast of Devon.

    Through binaural sound and sensory immersion techniques you are transported to vast karst caverns - starting with their formation and use as shelter by early-humans and other animals. Mammoths and sabretooths, rhinoceroses and giraffes, thousands upon thousands of wolves. Then their ‘discovery’ in the 19th century by quarry workers, leading to documentation by geologist Richard Nicholls Worth. He unearthed 15 human skeletons, dating up to 140,000 years old. Finally, the modern day, where the Bone Caves entrances are hidden amongst the confines of an industrial estate, beneath a city which doesn’t know they exist.

    The show explores hidden history, our ancestors, environmental and species changes, the psychology of darkness, mythologies of the underground and ideas around deep time.

    Instagram (Alex Robins) | Instagram (Jon Nash)

    Image credit: Torquay Museum

    Cut the Bull Theatre Company – Don’t Swim Here (There’s Sewage Water) (Oct 2025), a one-woman exploration of our, sometimes poisonous, relationship with the sea.

    Don’t Swim Here (There’s Sewage Water)

    by Cut the Bull Theatre Company

    Age guidance: 14+ (strong language, themes of and references to discrimination)

    Since the 18th Century, sea swimming has been recommended as the number 1 way to look after your health. It stimulates the brain, is good for the joints, and gives you a rush of endorphins. However, nowadays, you are playing roulette with whether you will emerge from the water unscathed by sewage poisoning.

    Don’t Swim Here (There’s Sewage Water) is a one-woman exploration of our, sometimes poisonous, relationship with the sea. Swapping sertraline for the sea, what begins as a pandemic hobby quickly becomes a battle with sewage, sexism, racism, and privatised water companies pocketing billions while polluting our coasts.

    This show invites us to look at our relationship with the ocean in a new way. Both funny and moving, it shines a light on the urgent need to protect our seas and keep them safe for everyone.

    Along the way, we’re thrown into absurd encounters with seals, swans, and Halloween hepatitis horrors, all underscored by a fierce critique of the systems poisoning our waters. A touching love letter to the ocean and a call to arms.

    Instagram

    Alex King (writer) and Awkward Pigeon Theatre Company (Performers and Director) – Just Be! (Oct 2025), a comedy play about new teacher James as he struggles to convey his passion for meditation to a reluctant group of students.

    Just Be!

    by Alex King (writer) and Awkward Pigeon Theatre Company (Performers and Director)

    Age guidance: 15+ (occasional mild swearing and references to grief, substance use and racism)

    Just Be! is a new comedy play written by Teignmouth based Alex King and performed by Exeter's own well renowned Awkward Pigeon Theatre Company. Told in real time over one evening, the show tells the story of new teacher James as he struggles to convey his passion for meditation to a reluctant group of students.

    Touching on themes of trauma, class, race, grief, disability, misinformation and eco-anxiety the show explores the power of groups and the complex nature of mindfulness. Navigating these issues as well as their own neuroses and interpersonal conflicts the group find themselves forming, storming and then storming a bit more. Coming 'highly commended' by the National Theatre this is a unique opportunity to witness new comedy writing covering serious themes with a light and ultimately hopeful twist.

    Instagram | Facebook

    Join us on Mon 13 Oct, 7.30pm for Scratch Night in collaboration with Exeter Northcott and sample the delights of these bold, fresh, new work in progress performances!

    Come along to the Workshop studio at Exeter Phoenix at 6.30pm on the night for a pre-Scratch gathering, Scratching the Itch: shaping platforms for sharing work-in-progress. Katy Danbury (Exeter Phoenix Performance Programmer & Scratch Night co-producer) and Sam Parker (Exeter Northcott Artist Development Producer) discuss how we might shape our collaborative Scratch Night offer in 2026. All people, ideas and feedback very welcome!

  21. Announcing a new UK-wide film season: Too Much: Melodrama on Film

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    Follow your emotions and get swept away by the big screen experience as Exeter Phoenix proudly delivers the new UK-wide season: Too Much: Melodrama on Film.

    Too Much celebrates films which champions emotional intensity over ‘good taste’. Exeter Phoenix presents films that are united by motherhood; Maternal Melodramas, which portray mothers as emotionally complex individuals, as victims, punished regardless of whether they sacrifice too much or too little. These films are designed to make you break down in tears, cause a scene, fall in love, feel something.

    In collaboration with a range of partners including Dolly’s Film Club, Italian Cultural Association and Daylight Collective, Exeter Phoenix will examine five films from the 1940s to the 2000s to reveal how cinema has both celebrated and slated mothers, while shaping our understanding of maternal identity within Melodrama.

    Exeter Phoenix will also be hosting the, a cinematic audio installation that invites participants to leave a message for a lost, imagined, or impossible love.

    Titles

    Installation

    Lost Love Hotline. The Heartbreak Archive
    Exeter Phoenix | Wed 08 - Fri 17 Oct

    Do you think about a love that's not yours anymore? Or one you imagined, hurting your own feelings? Or the one you never had the courage to reach out for? Perhaps it keeps you up at night and merges into your daydreams? Do you want to tell it to a stranger and release it? You can with Lost Love Hotline, we will hold them and keep them safe in our archive among other Lonelyhearts.

    Love Lost Hotline is a cinematic audio installation that invites participants to leave a message for a lost, imagined, or impossible love. Entering a dreamlike phone booth - they record their confession, becoming part of a growing archive of heartbreak and yearning. Messages range from raw truths to speculative fictions and aspirational musings.

    Leave a message for your heartbreak, lost, forgotten, or imagined.

    Follow the Lost Love Hotline on Instagram.

    Brought to you by Light After Dark with the support of Broadway Cinema and Near Now, in collaboration with Waste Studio.

    Programme Notes

    Maternal Melodramas - films that portray motherhood as emotionally complex and morally nuanced. Exeter Phoenix will examine six films from the 1940s to the 2000s to reveal how cinema has both celebrated and slated mothers, while shaping our understanding of, and relationship to, maternal identity on film.

    Films will be presented alongside insightful introductions, playful activity and national moments, which will engage audiences and help offer context across the season.

    Our titles will be delivered alongside our season partners who will assist in exploring how melodramas humanise maternal flaws, framing them as everyday struggles rather than evil acts.

    Season partners will include Dolly’s Film Club, University of Exeter, Bill Douglas Cinema Museum, Italian Cultural Association Exeter, Daylight Collective and Light After Dark Film Festival.

    Dolly’s Film Club (Beyond Boundaries Alumni) has a proven mother-daughter following and will deliver a special screening of Steel Magnolias, a film big on emotion, which will respond to the multi-generational appeal and its ability to bring diverse audiences together “Crying at a movie with several hundred strangers … is something else entirely - it was a cathartic,” (Letterbox reviewer on watching Steel Magnolias in the cinema). This partnership will broaden audience reach and encourage “Laughter through tears” a favourite emotion of character Truvy, played by Dolly Parton.

    Brief Encounter, one of the first films to play in Studio 74 at Exeter Phoenix, will be presented as part of the cinema’s 10th Birthday celebrations. You can revisit our 2015 article about the film on our blog. Our partnership with Daylight Collective will expand on this film by offering a follow-up interactive, day-time screening aimed at parents and carers. Participants will be offered the opportunity to delve into Creative Journaling, which will explore Matrescence and M/Otherhood alongside themes of the season.

    Brief Encounter
    Brief Encounter | 1945

    Our long term partners, Italian Cultural Association Exeter will present a Mamma Roma with a special introduction. Curation and discovery will feature in the season, allowing audiences to interact in light touch and playful ways.

    Bill Douglas Cinema Museum will make their Curation Intern, Simran Kaur Sanghera, available to Exeter Phoenix and together we will invite them to respond to newly unlocked content from the museum archive and build a temporary exhibition drawing on the themes of the season.

    Exeter Phoenix will host Light After Dark’s touring phone booth, an installation which uses Douglas Sirk films as a jumping-off point for aesthetics and sentiment. Audiences will be able to generate content and interact with the archive of previous records which will be made available on Instagram. Furthermore the installation will amplify the work of Sirk and provide an additional talking point for our screening of All That Heaven Allows and enable audiences to interact across the nation.

    All That Heaven Allows
    All That Heaven Allows | 1955

    Partners and Collaborators

    Dolly's Film Club

    Dolly’s Film Club is a regular film event that screens cult films, forgotten classics and most of all films that celebrate the JOY of being an audience! Interactive elements, prizes and fancy dress is always a part of DFC screenings.

    Dolly is also a cat.

    Find out more on their website or follow them on Instagram.

    Daylight Collective

    Lead by Producer and Mother Lizzy Humber the Daylight Collective is a supportive network for creative parents & carers in the South West. Adult centred, children welcome at everything!

    Find out more on their website or follow them on Instagram.

    M/Others On The Mic

    A relaxed and revolutionary performance space with the m/other of all line-ups.

    Join local m/others and guest m/other artists for a daytime open mic with songs, poetry, comedy and stories. These are a relaxed and lively spaces for grown ups, but children are welcome and supported to be themselves, no shhing required. The artistic voices and stories of m/others are platformed, but everyone is welcome within the audience. Expect an uplifting, supportive and empowering hour (and a bit) – in the middle of the day! So whether you’re in need of a bit of culture, a community or just an early lunch break – you are welcome!

    Follow them on Instagram.

    Italian Cultural Association Exeter

    ICAE are a community roots organisation made up of Italians living in Devon and local people interested in Italian culture. Our aim is to keep Italian culture alive for the diaspora and also offer an insight into Italian culture to the community. Led by Valentina Todino who is a long time collaborator with Exeter Phoenix and the Cinema Programme.

    Find them on Facebook.

    Bill Douglas Cinema Museum

    The Bill Douglas Cinema Museum is home to the foremost collection on cinema and moving image history in Britain. We are both an accredited public museum and an academic research facility and we hold a collection of over 90,000 items.

    Find out more on their website or follow them on Instagram.

    Simran Kaur Sanghera (Curation Intern at Bill Douglas Museum)

    Simran Kaur Sanghera is an aspiring writer and curator currently in their final year at the University of Exeter. She works as a Gallery Assistant for TVF Media and are part of an internship scheme with the Bill Douglas Cinema Museum, where she works through Cambridge Archival material as well as developing social media strategies, as a part of the scheme. Her creative work often centres on themes of grief, self-worth, and cultural identity, blending realism with tenderness to create stories that feel both intimate and universal.

    The season is supported by the BFI through National Lottery funding.

    Too Much Logo
    BFI Film Audience Network__POS MONO MAIN