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Hamaguchi follows up the success of Drive My Car with an ambiguous, elegantly told story of a lakeside community’s resistance to an intrusive corporate ‘glamping’ development.

From Matteo Garrone (Gomorrah, Dogman, Tale of Tales) comes this searing tale of two young boys’ migration from Africa to Europe. It’s an odyssey traversing city, desert and ocean, from West Africa to the Mediterranean Sea.

This Mongolian debut is a beautifully photographed, hope-filled coming-of-age drama about Ulzii, a gifted student who unexpectedly wins a local physics competition. Spotting an opportunity to escape his deprived neighbourhood he must balance family demands with pursuing his academic dreams by competing in the national finals for the chance of a university scholarship.

The Spirit of the Beehive director’s first feature in 30 years is a compelling reflection about identity, memory and filmmaking.

German Language. A dedicated teacher starts working at a high school when one of her students is suspected of theft.

From the camera obscura and the Lumière brothers to YouTube, Fantastic Machine exposes how our unchecked obsession with image has grown.

Elaha is part of a tight-knit German-Kurdish community. All minds are on Elaha’s upcoming wedding but she has a problem she must solve: she is no longer a virgin, a state of ‘honour’ considered a cardinal value by her community and, more specifically, by her strict mother. Is there a way she can feign her virginity?

The new film from Alice Rohrwacher (Happy As Lazzaro, The Wonders), follows a melancholic British archaeologist (Josh O’Connor) caught up in the illegal trafficking of ancient finds.
“A joyous, masterful work of folk magic” – Sight & Sound

Koffi’s epileptic seizure, prior to his trip back home to Kinshasa, acts as an omen for the turbulence that awaits him, in rapper-turned-filmmaker Baloji’s Cannes winner.