Priddy’s haunting vocals and distinctive finger-picking guitar style have already seen her sell out a headline tour, perform at prestigious festivals around the UK and abroad, including Glastonbury where she featured on their BBC 2 coverage.
You can expect three evenings of fun over the May day bank holiday weekend, with acts picked from across the musical stratosphere by folk-punk legends Mad Dog Mcrea for their danceability and rebellious spirit.
Alex Turner, Joe Talbot of IDLES, Jamie T and Orlando Weeks are among those who believe, most having come onboard following the Neil Young-meets-The Beatles-meets Elvis Costello charms of his 2020 album, Twin Heavy.
Manchester-based Mr. Scruff is a producer, cartoonist and cross-genre selector who loves to play long DJ sets, and occasionally B2B sets with similarly wide-eared end excitable DJs.
Paxton is a skilled interpreter of Black traditional music, having spent his life learning the multifaceted musical dialects of blues, old-time, ragtime, and Cajun music and playfully dressing them up in their brightest hues.
Stone Foundation mark their silver jubilee year in 2023 and they are celebrating with a tour featuring numerous special guests and playing songs from across their 25-year career.
It’s time to dig out the skinny jeans and black eyeliner! Ten Years Too Late are bringing their 00s emo party to Exeter as the band play a full length live show jam-packed with all of your favourite 00s emo anthems!
Since the mid-late 1990s, Kenny Anderson’s DIY pop alter-ego King Creosote has released over 100 records (at a relatively conservative guess), and his songs have been covered and performed by artists including Simple Minds and Patti Smith.
Oysterband will be going out on a high as they bid “A Long Long Goodbye” to fans and friends with a series of unmissable shows in 2024 before they retire from touring.
Bad Manners formed in 1976 whilst still at school. Signing to Magnet Records in 1980, the band scraped into the Top 40 with their debut single, Ne-ne-na-na-na-na-nu-nu, a cover of the 1948 song by Dickie Doo and the Don’ts.
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