Exeter Contemporary Open in Review: Charlie Godet Thomas
Published November 6, 2026
Exeter Contemporary Open is celebrating its 20th anniversary this year, and while the 2026 exhibition may have closed its doors for the final time, we are continuing to spotlight its impact over the past two decades. We've been chatting to artists whose work has been previously shown as part of the exhibition. This time we spoke with the British-Bermudian artist and writer Charlie Godet Thomas, whose work was featured in the 2013 Exeter Contemporary Open exhibition.
Can you describe what you exhibited with us when you were in the Open?
It was some years ago now, but I exhibited two sculptures that I made in my final year at The Royal College of Art. My recollection is that it was an assemblage of found materials, abstracted photographic prints, fabric and cast rubber.
What are your memories from being in the exhibition?
I remember being in very good company, I met some lovely people, fellow artists, jurors and those who worked at the gallery. I am still in touch with many of them, who have become good friends.
How have things changed for you since you exhibited with us?
Given the time that has passed quite alot has changed, I spent some years living in Mexico and I have many more project under my belt, including public sculpture projects, museum projects and gallery shows. I have also published some written work and have just been selected as a writer in residence next year.
What does Exeter Contemporary Open mean to you?
Exeter Contemporary Open was one of the first times that I showed work that had been selected for a show, and it was encouraging to see the support and energy that was directed my way. It gave me confidence to continue to share my practice beyond the studio, it was also an introduction to an art-community and what that might look like for me.