Exeter Contemporary Open in review: Sarah Ryder
Comments Off on Exeter Contemporary Open in review: Sarah RyderTo celebrate the 20th year of Exeter Contemporary Open, we're catching up with artists whose work has previously been shown at the exhibition. We chatted to artist Sarah Ryder, who's work featured in the 2022 ECO exhibition and was selected as the overall winner of the show. Sarah also brought her solo exhibition 'multiferals' to the Exeter Phoenix Gallery in 2025 & 2026.
Hello! I’m based in North Wales, and have been a practicing artist for over 25 years. My studio is in our home, meaning I get to use pockets of structured and unstructured time (in between working to help raise and support our family) to test out making stuff. I love the flow of art and life. Pondering, playing, stretching, feeling, writing, drawing, experimenting… making malleable, colourful abstract works that remain open to entropic change, gathering haptic archives of contact.
Can you describe what you exhibited with us when you were in the Open?
Since 2019 I’ve been predominantly working with acrylic paint, aluminium cooking foil, and glue. Curious to see what would happen using these materials as a conduit to expand the ongoing dialogue between painting and sculpture in my practice. By 2022 I had accumulated a fair amount of new works – three of which were selected for that year’s Open. All were large and involved curator Matt Burrows’ help to expand and install after their journey as unassuming neat little packages. For example, ‘Repose Painting (active society rebuild)’ involved him going under the painted foil surfaces, and then creeping out to leave a free-standing sculptural form.


Sarah's work from the 2022 ECO. You can see the full list of 2022 artists here>>>
What are your memories from being in the exhibition?
I enjoyed meeting Matt on our first zoom call to discuss how to install my works in the exhibition. He has a very positive energy and is encouraging of experimental approaches, so it was exciting for me to test out handing the install over as part of realising each piece. I was made up with the results. The whole exhibition looked great. I love noticing relationships between artworks in group exhibitions, and the Open was especially exciting because all the artists and works were new to me. The opening night was fun and it was lovely to meet the other artists – many of whom I’ve kept in touch with and enjoy following their practices.
How have things changed for you since you exhibited with us?
I continue with my experiments and have gradually developed a conceptual framework called 'Temporal Feral Forms'. This has come about from preparing, experiencing, and reflecting on showing my work – and doing a myriad of other things, not least growing increasingly interested in learning about cultural studies (via Jeremy Gilbert and the brilliant podcast ‘Culture, Politics, Power’) and thinking about how to analyse art in this context. I like writing as a way to develop thoughts and recently had an essay published in Studio Note where my encounters with Matt are revisited. Especially relevant to mention here, as I got to show my art for a second time in Exeter Phoenix Gallery for my solo show Multiferal.

Multiferals ran from Sat 15 Nov 2025 - Sat 31 Jan 2026
What does Exeter Contemporary Open mean to you?
It’s a gamble applying for opens, but I lucked out in 2022 and am very grateful for my work being selected. This was a pivotal moment for pushing my practice along, getting work out of the studio, testing ideas, seeing it in context with other artists’ work, and it was brilliant to meet and form relationships with lovely people along the way.












































































